topology of the nine-palace grid of zero

251 X 185 cm, medium: mixed media on canvas (YEAR: 2026)

shaped by nine grids, structured by topology, centered on zero.

Centered on the concept of topology, this work translates the orderly structure of the Eastern nine-palace grid and the philosophical notion of "Zero" into a visual field. Radiating diagonal lines form a centripetal force field, with all visual elements converging toward the unmarked Zero Point at the center of the composition. Implicit symbols including "=0" and "-0" serve as fundamental meta-languages, interpreting the core philosophy that all things ultimately return to emptiness and equilibrium.

Rooted in a 3×3 nine-palace grid framework, the piece transforms static spatial division into dynamic topology via symmetrical diagonals. While geometric forms undergo distortion and variation, their intrinsic essence remains intact, manifesting the transient forms and mutable order of Zero as an eternal core.

Vivid high-saturation primary colors construct a rigid, rational structural framework. Neutral gray, purple, white and traditional Chinese ink wash infuse the work with a sense of unconscious fluidity. Through the dissolution and interplay of visual boundaries, the artistic philosophy — Rules are temporary, while flow is eternal — is fully visualized.

Replacing traditional canvas with fabric as the base, the work integrates acrylic, pastel and ink wash across multiple mediums. It breaks the limitations of a single painting language, delivering a comprehensive artistic expression rich in textured layers, experimental spirit and Eastern Zen aesthetics.